Friday, May 24, 2013

Tones

Tones 


Pitch contours and duration of the six Northern Vietnamese tones as spoken by a male speaker (not from Hanoi). Fundamental frequency is plotted over time. From Nguyễn & Edmondson (1998).
Vietnamese vowels are all pronounced with an inherent tone. Tones differ in:
  • length (duration)
  • pitch contour (i.e. pitch melody)
  • pitch height
  • phonation
Tone is indicated by diacritics written above or below the vowel (most of the tone diacritics appear above the vowel; however, the nặng tone dot diacritic goes below the vowel). The six tones in the northern varieties (including Hanoi), with their self-referential Vietnamese names, are:
NameDescriptionDiacriticExampleSample vowel
ngang   'level'mid level(no mark)ma  'ghost'About this sound a 
huyền   'hanging'low falling (often breathy)` (grave accent)  'but'About this sound à 
sắc   'sharp'high rising´ (acute accent)  'cheek, mother (southern)'About this sound á 
hỏi   'asking'mid dipping-rising ̉ (hook)mả  'tomb, grave'About this sound  
ngã   'tumbling'high breaking-rising˜ (tilde)  'horse (Sino-Vietnamese), code'About this sound ã 
nặng   'heavy'low falling constricted (short length) ̣ (dot below)mạ  'rice seedling'About this sound  
Other dialects of Vietnamese have fewer tones (typically only five). 
In Vietnamese poetry, tones are classed into two groups:
Tone groupTones within tone group
bằng "level, flat"ngang and huyền
trắc "oblique, sharp"sắchỏingã, and nặng
Words with tones belonging to particular tone group must occur in certain positions with the poetic verse.
~Info courtesy of Wikipedia~

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